I used to work in Chicago’s ample theatre scene for several years before I got into real estate. In fact, theatre is what brought me out here – I started my Chicago tenure with a year-long stage management internship at Steppenwolf in the late 90’s. The best introduction to this article that I can think of involves reaches back to those days for the story of a set designer who was pretty well known in Chicago for her adventurous scenery endeavors.
Normally when a set designer first visits a performance space he or she will take measurements of the existing dimensions so that they can create a set that will fit on the existing stage. This is logical. The designer I’m speaking of would walk into the theatre with her plans already fixed in her mind and start her assessment of the space with “okay, first off we’ll need to knock out the back wall of the building.” Most of the time she was quite serious about this opening volley and would have to be negotiated down to something that left the masonry reasonably intact.
Oddly enough, her sets wound up being the most creative and best suited to the scripts they surrounded than any of the others I’ve seen to date.